TJUNGUṈUTJA: FROM HAVING COME TOGETHER
Featuring full-colour images of exhibited paintings and objects, rare unpublished photographs and a series of scholarly essays, this publication is the ultimate compendium to the exhibition.
"A timely and nuanced reassessment of the Papunya story and one in which Indigenous voices, for the first time, play a prominent role and revise earlier mythmaking by zealous participants and by latter-day anthropologists. The pioneering efforts of Geoffrey Bardon are now placed within the broader context of the earlier Yuendumu Men’s Museum mural and the role of other Indigenous and non-Indigenous participants in these developments. This pioneering publication, based new archival material, and the accompanying exhibition fundamentally rewrite the history of a critical episode in 20th century Australian art."
- Emeritus Professor Sasha Grishin AM, FAHA, Australian National University