Is an installation, sound, and video artist, writer, and a curator of First People’s Art and Culture at the Tasmanian Museum and Art Gallery in Hobart. Gough’s research and art practice involves uncovering and re-presenting subsumed and often conflicting histories often referring to her family’s experiences as Tasmanian Aboriginal people. Julie is a Trawlwoolway woman whose Briggs-Johnson-Gower family have lived in the Latrobe region of Northwest Lutruwita (Tasmania) since the 1840s, with Tebrikunna being their Traditional Country in far Northeastern Lutruwita.  Julie holds a PhD from the University of Tasmania and has exhibited in more than 200 exhibitions. Gough’s art works are held in many private and most Australian public collections including The National Gallery of Australia, The National Gallery of Victoria, The Art Gallery of New South Wales, The Art Gallery of South Australia, The Art Gallery of West Australia, Tasmanian Museum and Art Gallery, National Museum of Australia, Queen Victoria Museum and Art Gallery Launceston.

Born in Woomera, South Australia, and belongs to the Kokatha and Nukunu peoples. Scarce’s interdisciplinary practice explores the political nature and aesthetic qualities of glass and photography. Her work often references the ongoing effects of colonisation on Aboriginal people; in particular, her research has explored the impact of the removal and relocation of Aboriginal people from their homelands and the forcible removal of Aboriginal children from their families. Family history is central to Scarce’s work, drawing on the strength of her ancestors, she offers herself as a conduit, sharing their significant stories from the past.

Is a Kamilaroi visual artist, lecturer, and PhD candidate, who is currently based in Meanjin (Brisbane, Australia). Warraba’s artistic practice has a specific interest in archival repositories and structures, which influence our contemporary understanding or history and cultural knowledge systems. In particular, his work explores how social power is codified through visual language and form. Warraba is passionate about shifting cultural norms within the Australian visual arts sector and contributes to the sector through artistic practice, education and curation.